Stephen King began his writing career under the pseudonym, Richard Bachman. As Richard Bachman, he produced such gems as The Running Man and The Regulators. At some point, Stephen King, probably realizing how proud of his work he should be, began affixing his real name to his published works and stopped using the name Richard Bachman. In one early novel, The Dark Half, Stephen King toyed with the idea that when a writer uses both a pen name and his real name, he was channeling two different personalities, or that one was the persona, and one was the actual self. In The Dark Half, a writer, tired of using his pen name to write horror stories, decides to “kill” the pen name author by laying him to rest. I may be getting the chronology of events within the story wrong here, but shortly after, the author is hit by a drunk truck driver, goes into a coma, and miraculously experiences a full recovery. At some point during the coma, the part of his brain that he used to write his horror stories, the part of his brain that belonged to his pen name, specifically, appears to take a physical form. This being menaces the author’s world until it comes down to a battle between the author and his pen name.
I mention this story because it appeared to mirror Stephen King’s own dilemma of dropping the pen name of Richard Bachman. I think he used that story to express a worst-case scenario. Art imitates life. BUT, do people remember Stephen King’s own brush with death? Several years after this book was published, he was walking along a road in Maine, and hit by a truck driver who was reaching behind the seat for a beer. Stephen King was in critical condition, but made a full recovery, fortunately. Now life imitates art. Quite creepy. Stephen King mentioned this strange coincidence in his non-fiction how-to book, On Writing.
People made fun of Stephen King for not churning out horror stories in recent years that could rival The Shining, Misery, or Carrie. I do admit that aside from Cell, I hadn’t had the urge to read anything by Stephen King for a while. But, I tell you this: Stephen King is back. I just finished reading his latest page-turner, Duma Key. This is a return to his strengths as a horror writer, the most noticeable being: Stephen King understands the nature of fear. I think the best way to describe Duma Key, is to tell you that after Stephen King had that accident that eerily echoed the one in his novel, he began to think: What if an artist (writer, painter, musician, whatever) were so gifted, that he could make life imitate art? And, following that idea, what if the gift turned on him?
I am kind of hoping that this book becomes a movie, but at the same time, if it does, I wonder if the hyperbole of being “frightened out of your wits” may adopt a literal meaning.